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    <loc>https://www.karabraciale.com/work</loc>
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    <lastmod>2026-03-03</lastmod>
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      <image:caption>sketch from walden gouache, watercolor, ink on Arches 7" x 10" 2013 translated excerpts from Thoreau's Walden</image:caption>
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      <image:caption>Scrap II,  gouache, watercolor on Arches 16 x 20 in. 2008</image:caption>
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      <image:caption>Mantram Drawing I gouache on arches 12 x 16 in. 2013</image:caption>
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      <image:title>work</image:title>
      <image:caption>presque vue gouache, graphite on panel 40 x 40 in. 2014 Translation of the the phrase "presque vue".</image:caption>
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      <image:caption>We Have Never Been Modern (excerpt) 2018 16:54 The words "we have never been modern" are translated into a pattern woven into an image that appears for both the google search for "dawn" and for "dusk" Digital Animation programmed by Ceri Driskill</image:caption>
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      <image:caption>Excerpt (green plank) acrylic, polymer clay, molded paper on mdf 12” x 12” 2018</image:caption>
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      <image:title>work</image:title>
      <image:caption>Labor (The Dice Are Loaded) gouache, graphite on panel 24 x 24 x 2 in. 2012 Translation of an excerpt from Karl Marx's Capital: Les dés sont pipés. Capital works on both sides at the same time. If its accumulation, on the one hand, increases the demand for labour, it increases on the other the supply of labourers by the “setting free” of them, whilst at the same time the pressure of the unemployed compels those that are employed to furnish more labour, and therefore makes the supply of labour, to a certain extent, independent of the supply of labourers. The action of the law of supply and demand of labour on this basis completes the despotism of capital. As soon, therefore, as the labourers learn the secret, how it comes to pass that in the same measure as they work more, as they produce more wealth for others, and as the productive power of their labour increases, so in the same measure even their function as a means of the self-expansion of capital becomes more and more precarious for them; as soon as they discover that the degree of intensity of the competition among themselves depends wholly on the pressure of the relative surplus population […]  </image:caption>
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      <image:caption>some other chance support is a project developed in collaboration with artists and writers in residence at the Vermont Studio Center in Spring of 2019. This work unfolded as a series of card readings, conversations and collages in response to those conversations.</image:caption>
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      <image:caption>thisautonomous.zone installation view Assembly 2019 Arlington Arts Center full project site at: thisautonomous.zone</image:caption>
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      <image:caption>Eye Dialect (Blue) Woven cotton textile edition of 3 50” x 60" 2018 - 2020 This is a woven image of two woven patterns set side by side. The text that is translated into a woven pattern are the words Brother Rabbit and Brer Rabbit; the palette comes from one of the colorways of William Morris’s Brother Rabbit wallpaper. I am interested in the work of William Morris, his daughter May Morris, and in particular William Morris’s writing Signs of Change, as a proposal about uniting politics to craft, product and method of production.</image:caption>
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      <image:caption>seance cyanotype fluid on paper 42" x 60” 2024</image:caption>
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      <image:title>work</image:title>
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  </url>
  <url>
    <loc>https://www.karabraciale.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-01</lastmod>
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      <image:title>about</image:title>
      <image:caption>thisautonomous.zone</image:caption>
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